Tales of the obsessed, depressed and Unexplained
Join us Saturday November 4th for The Video Club Film Mixer!
Come hear about the Video Club’s latest Film Project and watch a collection of short psychological films. Every ticket enters you in our special raffle that will be awarded at the end of the night. The raffle prize is a high valued item. Emerging and established filmmakers and talent come join like-minded individuals for a fun filled night of networking, short films and prizes.
6:30pm-7pm Meet and Greet complimentary drinks
7pm-7:10pm Short Night Captain Presentation
7:10pm-8:10pm Collection of Short Psychological Films
8:10pm-8:45pm Last call for drinks and raffle prize presentation.
$25 TO ATTEND Buy Here
Ticket includes two drink tickets and one raffle ticket with entry. 50% of all proceeded will be going to the San Francisco Suicide Prevention Organization.
Those unable to attend the event that would like to support the film can donate $25 here Donate Now
Raffle Prizes include:
1. One night stay at the Shattuck Plaza Hotel ($359)
2. Pictoclik Class Pass one year of film/talent workshops ($250)
3. Two General Orchestra tickets to Peaches Christ Production of TRIXIE & KATYA’S HIGH SCHOOL REUNION (November 18th, 2017 @ Castro Theatre 3pm ($60)
4. Women in Animation one year Membership The Membership includes screenings at Pixar and ILM, lectures, workshops and networking events. ($50)
5. Barnes & Nobles gift card ($30)
Join us on the red carpet November 11th as emerging and established filmmakers from around the world battle it out for trophies, prizes and official bragging rights. Doors open at 7pm for the pre-party and promptly at 8pm for the screening.
VIP tickets start at $25 and General Admission $15.
VIP includes: 2 drink tickets at the pre-party, keepsake program book, no wait entry lines, preferred seating in the theater, and screening.
Early Bird $25 (sold out)| Regular $35 (sold out)
General Admission: 1 drink ticket at the pre-party, keepsake program book and screening.
Early Bird $15 (sold out) | Regular $20 | At the door $30
Screening Only: keepsake program book and screening only. Program starts at 8pm.
Buy Now Regular $10 | At the door $15
2017 Short Film Line Up
“Monday” Dinh Thai | Drama
“The Tyranny of Distance” Gabriel Diamond | Documentary
“Stray Animals“ Maria Julia de Paiva | Drama
“The Rage” Alrik Bursell | Thriller
“Rabbit Blood” Yagmur Altan | Animation
“Chocolate” Dru Miller| Drama
“Girl Knight“ Deborah Attoinese | Dramedy
MONDAY | Drama
First place winner of HBO’s inaugural APA Visionaries contest. “What can I get to you?” That’s the question driving a conflicted young hustler who sells everything and anything to make money. As he code-switches through various cliques, he’s forced to confront racism as well as the immorality of his occupation.
THE TYRANNY OF DISTANCE| Documentary
Fifteen years of civil war in Liberia has resulted in one of the world’s worst doctor shortages and cut off the country’s rural poor from basic healthcare. Community health workers trained and equipped by the non-profit Last Mile Health are working to deliver lifesaving health services to the 1.2 million Liberians living in the most remote reaches of the country.
STRAY ANIMALS | Drama
Olivia and Arthur spend their days away from home. They walk around the condominium, listen to music and dream of somewhere far away. The day Olivia discovers a stray cat in the woods is the first step into a journey of loss of innocence.
THE RAGE| Thriller
The Rage is a psychological thriller about relationships and the choices we make when we are angry.
RABBIT BLOOD | Animation
Just an ordinary day at an old mysterious Turkish country house where its residents have an extraordinary way of brewing tea.
CHOCOLATE | Drama
A suburban housewife and mother suddenly finds herself vulnerable, homeless and lost in downtown Los Angeles.
Chocolate is proudly endorsed by Alzheimer’s Greater Los Angeles and is qualified for the 2017 Academy of Motion Picture Arts and Sciences’ Live Action Short Film category.
GIRL KNIGHT | Dramedy
Sixteen-year-old ISABEL is not your ordinary knight. She clanks around her lonely life trapped in her own armor until she meets DELILAH, a goth princess, in detention at school. Edging around each other at first, these two wounded souls learn to love by finding the courage to let their guard down.
You can view About Want and Need at Cinema Preview in San Francisco August 25th. For the complete lineup and tickets click here.
Sarah Heinrich, born 29.01.1985 in Kaiserslautern, began her career as a hairdresser to get closer to the desired profession as a theater makeup artist. Along the way, she discovered her love for puppets and finally for Character Animation. After a one-year internship at the Berlin postproduction company FX Factory she began her studies at the Film Academy Baden-Württemberg in 2010.
From puppet animation and hand drawn animation she finally arrived in the world of 3D animated films, where she has been now for 5 years.
She allways followed her passion for expressing emotions, acting and gestures.
With attention to detail, she completed her studies with her diploma film “About Want And Need”.
“About Want and Need is a story about loss and the art of letting go. There are many strange and abstruse ways to deal with a loss. Instead of going to therapy himself, Will prefers to treat his pet chicken Gertrude.
Good material to turn it into a short animation in which I can focus on acting and character animation.”
Key Crew: Douglas Mueller, Ryan Barton-Grimley
Key Cast: Ryan Barton-Grimley
You can view Repatriation at Cinema Preview in San Francisco August 26th. For the complete lineup and tickets click here.
Prior to completing Repatriation, his feature directorial debut, Douglas Mueller’s narrative filmmaking style can be seen in Prairie Love (Sundance ’11, Film Movement Distr.), where he storyboarded and production designed the frigid, almost-fantasy world; or in his award winning short film Four Corners (Periphery Project LLC, Distr.) set in the dusty isolation of the desert.
He’s currently in post-production on his documentary feature debut, a visual journey in cinema verité style, chronicling the critical restoration of California’s cherished Carmel Mission.
Shot on, now obsolete, Kodachrome film, Doug made an experimental documentary about the final Space Shuttle launches. Until chemical photography hobbyists crack the processing code for this iconic filmstock, the project waits, undeveloped, in his freezer.
In 2011 his short 16mm experimental documentary about a baroque keyboard tuner, Carey Beebe, Intermezzo 1 premiered at the Academy accredited, Nashville Film Festival. Mueller’s short documentary Dan, Tom and Ray- a silent film documentary short- screened at a number film festivals in California and the Mid-West.
Doug actively produces commercial works, non-profit documentaries and short-form internet films for organizations, most recently with Restorative Justice Partners Inc and funding through a Packard Foundation Grant. He and his wife were $1,000 winners of the Trend Micro video contest. Mueller was Production Designer for the 2010 thriller The Truth, distributed by Gravitas Ventures, Showtime and Maverick Entertainment Group.
Studying for his BA in film at CSUMB, he developed a documentary The BBC; 2002, which won the ‘2003 Edgar Kennedy Award for Arts, Culture, Humanities, Performance Event under the Volunteer/Student Category’ as well as ‘Monterey’s Best Freedom of Expression under the Volunteer/Student Category.
I was very attracted to films that bucked common structures regarding the main character. Stories like A “Christmas Carol,” or John Cheever’s “The Swimmer,” have protagonists, who in some ways change very little and the story is structured, not around their motives, but the actions and opinions of those around the protagonist. This gives the secondary characters a lot of responsiblility as the ensemble is tasked to move the story all while reflecting a consistant change on the protagonist.
I was also focused on making the atmosphere in Repatriation reflect my experience growing up in a remote, medium sized town in the mid-west and the moment I began writing it, I envisioned Dubuque, Iowa as the backdrop. I was born in Dubuque, but never lived there but I knew its beautfiful brick downtown area would give Repatriation a familiar, if not recognizable setting. Basing the film in Iowa gave me reasonable access to the talented Chicago theater community. One motivation for this film was to have a lot of opinions- I’d grown frustrated with indepenent films only having three characters so having a mix of resonating locations and quality performances through a long journey was achieved.